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No, it’s on until Sunday.I saw two guys sitting outside the Gatehouse tonight, both wearing a fez and one sitting on a cardboard/wooden throne and the other sitting around some scenery.
I assume it's last night of Shakespeare "not at the castle" or they've robbed half of the set.
Being of a cynical nature, I'm going to say it was moved to the Gatehouse because there was more money and less effort to be put in for Entrust.No, it’s on until Sunday.
It simply wasn’t sustainable at the castle, it wasn’t profitable and hard decisions had to be made.
However, the production this year has been so much better than anything that has gone before and the reviews have been wonderful.
Some friends of ours went on Sunday (initially dead against it because it wasn’t at the castle but got seduced by discounted tickets) said it “absolutely brilliant , we loved it, never enjoyed Shakespeare so much”
On one of my working nights, a couple hadn’t missed a Stafford Shakespeare in 30 years and still declared it the “best ever”. In fact on ALL of my working nights everyone has loved it.
I‘m guessing that the majority of the negative naysayers are making a judgement without actually having seen it themselves.
Which is a shame because they don’t know what they are missing. If you don’t believe me, go on to Stafford Gatehouse Facebook page and read what people are saying.
Being of a cynical nature, I'm going to say it was moved to the Gatehouse because there was more money and less effort.
Being someone who wonders why you think Entrust have anything at all to do with what we are talking about, i'm going to say you don't have even the first idea what you are talking about.Being of a cynical nature, I'm going to say it was moved to the Gatehouse because there was more money and less effort to be put in for Entrust.
But assembling then dismantling the stage and all the seating, proving electricity and toilets, etc. must have been a lot of effort and cost that wasn't needed this year.As I said earlier, judgments are being made by people who haven’t seen it.
MORE effort, not less, has been made for this production,
Sorry Freedom Leisure. It's difficult to keep up with who the borough council have sold what to in order to get best value in decimating services within the borough.Being someone who wonders why you think Entrust have anything at all to do with what we are talking about, i'm going to say you don't have even the first idea what you are talking about.
It's not though is it ??Sorry Freedom Leisure. It's difficult to keep up with who the borough council have sold what to in order to get best value in decimating services within the borough.
Friend at work used make it a proper day out. Massive picnic, half a vineyard just for her, reckoned the atmosphere alone was worth it, whatever the weather. Gatehouse was for Winter time.I appreciate there’s some obvious pride in what the show is like this year but there is nothing remotely special about Shakespeare in a theatre in Stafford. The backdrop of the castle and an outdoor venue IS what made the annual productions special.
As for it not being profitable, I have two things to say about that;
1) the event was regularly sold out or very close to, so tickets could’ve increased in price marginally.
2) the response I had from the council when I contacted them probably tells you why it wasn’t profitable. Where an event isn’t making money, the thing you don’t then try and do is make it even more expensive to run, which is exactly what they took as the solution. I’ll quote the reply ‘ it has changed dramatically over time from a small production while sitting on bales of straw, no toilets, no bar, no cover, no transport to this years with electric transport, posh toilets, everything set up to be carbon neutral’
Maybe if they hadn’t gone for the posh toilets, the electric transport and paid some third party to offset carbon (a con by the way), it might’ve been more viable to have it at the actual place that makes this worthwhile for so many.
Couldn’t disagree with this more. An opportunity to see Shakespeare performed well is always special, and the fact it’s local is a huge treat. I’m taking one of the kids at the weekend (having been slightly baffled at friends who said theirs wouldn’t understand it - Shakespeare performed is worlds apart from Shakespeare on the page!)there is nothing remotely special about Shakespeare in a theatre in Stafford.
Couldn’t disagree with this more. An opportunity to see Shakespeare performed well is always special, and the fact it’s local is a huge treat. I’m taking one of the kids at the weekend (having been slightly baffled at friends who said theirs wouldn’t understand it - Shakespeare performed is worlds apart from Shakespeare on the page!)
It's not about "those who have ACTUALLY SEEN IT".Right, ok then.
So, even though I was originally of the same opinion, that it was a shame not to be at the castle, but changed my mind having ACTUALLY SEEN IT.
Even though the reviews are great from those who have ACTUALLY SEEN IT.
We can’t change the opinion of those who absolutely won’t go, because it’s not outside.
Blimey, it’s a good job that those who choose to visit the Royal Shakespeare Company in Stratford Upon Avon, don’t boycott it because it not outside by a castle. They somehow manage every year being inside all the time.
Anyway, it is what it is.
Someone from Surrey was visiting our theatre the other day (they come every year to the castle, but still decided to give the theatre a chance.)
They thought that our little theatre was wonderful, the show was wonderful.
Says it all though that people from afar appreciate what we’ve got but some locals won’t support it.
It's not about "those who have ACTUALLY SEEN IT".
It's about how many choose to, and how many choose not to, spend their money and time going to see it.
What reduction in ticket sales has there been from Romeo and Juliet outside last year to A Midsummer Night's Dream inside this year ?
I haven't missed your point about those who enjoyed seeing it inside and I'm not being obtuse, deliberately or not.I think you are missing my point, or being deliberately obtuse.
Of course it’s about choice, I‘m not even saying that anyone should like Shakespeare.
I’m saying that those who enjoyed it at the castle, those who were sceptical about it not being at the castle, those who chose to give it a chance and support our local theatre, absolutely loved it.
The reviews speak for themselves, just go on Facebook and have a look.
I don’t know yet about ticket sales compared to last year but The Gatehouse Facebook page says
”IT’S OFFICIAL:, A Midsummer Nights Dream is now THE most watched drama production in The Gatehouse’s 41 year history”
I haven't missed your point about those who enjoyed seeing it inside and I'm not being obtuse, deliberately or not.
Drastically slashing ticket prices from £35 to £16 must surely have happened because demand was far lower than expected.
Do you have an interest to declare, such as being employed there ?